1967
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Grateful Dead
Polo Field, Golden Gate Park
San Francisco
CA
01/14a/67
Source: SBD>MR >?>CDR
Conversion: CDR > EAC(secure) > Cool Edit(remove isolated pops) >
mkwact(seekable) mvernon54@nospam.com
Part of The Music Never Stopped Project 2002 shn em up initiative 4/28/2002
Thanks to Raoul Duke for the disks!
Disk 1 [30:26]
SET1
01. [09:11] //Morning Dew ;
02. [11:01] Viola Lee Blues ;
03. [10:13] Good Morning Little Schoolgirl*
*Charles Lloyd on flute on GMLS.
Notes:
1. shntool confirms tracks cut on sector boundaries
2. Flaws
d1t2 05:34 - skip or similar anomaly
3. From www.deadlists.com
COMMENTS "The Great Human Be-In" - afternoon concert. Other artist(s): Jefferson
Airplane, QMS, Country Joe & The Fish and The Charlatans". *Charles Lloyd on
flute on GMLS.
Transcribed by Glenn Gillis:
Best of all were the glorious free concerts in the Panhandle -- a flatbed truck, makeshift
electricity, food, wine, friends, sunshine, and some wonderful bands who hadn't hit the
big time yet. At first it seemed amazing that we knew by name so many of the hundreds
gathered; but as the months went by, our awareness of a larger community grew until it
peaked that fine day in January of 1967, the day of the Tribal Stomp at the Polo Fields to
be known as the "Human Be In."
We heard it through the grapevine, and a half dozen of us started early that morning to
walk the couple of miles to the park. As we walked along Lincoln Avenue, we noticed other
groups of neighbors walking in the same direction. More joined in off side streets, and by
the time we turned north into the park, we were a large, laughing group. A half mile
later, we were a horde and as the Be-In took shape through the day, we were awed and
thrilled as the Polo Fields filled up with more than 20,000 people. It was a day of
innonence and hope; and in many ways the last moments of naivete for a neighborhood that
had just gone public. -- Rosie McGee from: Brandelius, Jerilyn Lee, "Grateful Dead
Family Album -- p40. New York: Warner Books, Inc., 1989.
To see the concert art:
< http://www.pompano.net/~goodbear/concert_art/01_14_67-1.html >
< http://www.pompano.net/~goodbear/concert_art/01_14_67-2.html >
< http://www.pompano.net/~goodbear/concert_art/01_14_67-3.html >
< http://www.pompano.net/~goodbear/concert_art/01_14_67-4.html >
David Sorochty:
A short while ago I mentioned that I received a tape from David Dieterich which had on it
some undated filler which included an unknown instrumental version of Viola Lee Blues.
I listened carefully to that bit and here's what I got:
Midnight Hour (13.17)
Viola Lee Blues# (4.10) instrumental version
#Good Morning Little Schoolgirl (0.27) (with flute)
When I heard the flute on GMLSG I thought immediately of 1-14-67 and sure enough that's
what it was, but just the tail end of the song. After checking the Viola Lee turned out to
also be from 1-14-67, but just from the beginning up to the quick dropout in that song at
the 4 minute 10 second mark. I have not really
tried to figure out where the Midnight Hour comes from, but I suspect it will be
duplication of something common.
I was fooled into thinking the Viola Lee was an unique instrumental version because it
didn't have the end of the song which is the only place they sung the lyrics on 1-14-67. I
hope this helps to clarify things for you if you come across this item.
Think quickly - where else is there a 13 minute 17 second Midnight Hour?
Teddy GoodBear:
After listening to the rap in GMLSG, I'd say it's Lloyd with help from Pigpen. I've not
heard Lloyd other than this recording, nor do I know what Lloyd's voice sounds like; as
I'm just guessing. So I'm listing this entry as "sounding like Lloyd", unless
somebody knows differently.
RECORDINGS (?) SB. Master soundboard reel > 2 cassette generations > DAT >
circulation.
Grateful Dead -- Winterland Arena, San Francisco, CA -- March 18, 1967
Stated Source: MSR>R>DATs>CDRs>EAC>SHN
Disk 1:
Set I
1. Me And My Uncle
2. Next Time You See Me
3. He Was A Friend Of Mine
4. Smokestack Lightnin'
5. Morning Dew
6. It Hurts Me Too
7. Beat It On Down The Line
8. Dancin' In The Streets
Disk 2:
Set II
1. Golden Road To Unlimited Devotion
2. Cream Puff War
3. Same Thing
4. Cold Rain And Snow
5. Viola Lee Blues
6. Death Don't Have No Mercy //
EAC>SHN by darrin (dnsacks@usa.net) seeded 9/22/00
Grateful Dead, Wildflower & QMS 4/8/67 KPIX-TV studios,
San Francisco, CA
"The Maze"
TV > C/? >CDR
1. The Wildflowers - Please Come Home (3:41)
2. announcer's intro (0:23)
3. Ralph Gleason interviews Jerry Garcia (4:30)
4. Grateful Dead - Cream Puff War (3:52)
5. QMS - Pride Of Man (3:57)
6. QMS & Dead composite - Walkin' Blues (2:24)
7. announcer's outro (0:23)
total time 19:12
There is no cut in Cream Puff War.
SHN'ed by H.B. 7/02
thanks to Uli Teute for the tape.
Following are (edited) comments from Deadlists contributors.
Dave Sorotchy:
(Walkin' Blues) starts out with QMS playing the song,
at 27 seconds it switches to the Dead playing it,
at 50 seconds it switches to QMS,
at 1 minute and 27 seconds it switches to the Dead,
at 1 minute and 59 seconds it switches QMS,
who finish it out to a total time of 2 minutes and 14 seconds.
Bart Wise:
The cuts are carefully done, and this might be how KPIX-TV broadcast the piece. The sound
quality is similar
to the version of Cream Puff War. I couldn't find the other version of Grateful Dead doing
"Walkin' Blues"
(from 1966) to compare with this one, if I even have it. Finally, if it helps with dating
the tape, the
Quicksilver web site lists October 1967 as the month Jim Murray left the band.
David Sorochty:
Yeah - I know what you're thinking. There are some stories about them going on the Maze
show and lip synching
a song. I've even seen a picture from that TV appearance where Phil I believe, was holding
a broom instead of
his bass to mock out the whole lip synch thing. So I thought that even though this didn't
sound like the
version on the 1st album at all, it would be worth a check since if it is kind of grungy,
and as it turns out
this is a much longer version than the one on the LP and they *definitely* are not the
same.
So - if this was from that TV show, maybe they recorded the audio there for the TV show
and they just lip
synched it later? Is it possible that this is from another TV appearance where they didn't
lip synch or
maybe from a radio program? Who knows? I guess I always just presumed that when they lip
synched on the
Maze show it was to a song off the 1st LP.
Jim Powell:
Somewhere I've seen or heard Ralph Gleason quoted during this period remarking that even
when San Francisco
bands perform the same song, they play it differently; he gives as his example the Dead's
and Quicksilver's
different handling of Robert Johnson's Walkin' Blues. During his concluding remarks the
announcer seems to
refer to this comment. Perhaps it appeared in a passage of the show cut between Cream Puff
and Pride Of Man,
or between Pride and Walkin' Blues. It seems less likely that the show also included a
performance of the
tune by the Dead.
Jerry Garcia, Phil Lesh, Tom Donahue
KMPX Radio Show
April - XX - 1967
Source: Pre-FM-MR>R>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) >
mkwact(seekable) mvernon54@nospam.com
Here is a description of this show I found on the internet:
THE CELESTIAL JUKEBOX (Special Radio Flashback Edition "The Phil 'n' Jerry Show"
April 1967)
A long, long time ago -- before many of you were born -- there was a wondrous thing called
"progressive" or "free-form" radio. These were the days when rock
radio stations were programmed by people who actually knew and loved music, rather than
the accountants and marketing analysts who now control the airwaves. During this time it
was possible to hear, in a single program, music by artists as diverse as the Beatles,
Ravi Shankar and Miles Davis, to name but a few, picked and played by DJs who spoke to,
rather than at, their audience. One of the pioneering stations in this adventurous era of
radio was KMPX-FM in San Francisco, which was instrumental in letting the world know about
the explosion of great music in the Bay Area in the late 60s.
One fine April evening in 1967, the station's co-founder, the legendary Tom "Big
Daddy" Donahue, invited Phil Lesh and Jerry Garcia to play guest DJ on his nightly
KMPX show. Phil and Jerry discussed the Grateful Dead's then-brand-new debut album (they
promised the next one would be much better!), as well as such arcane topics as a
top-secret military project to develop a "sound gun" that could kill or maim
everyone for miles around with super-low-frequencies. Best of all, they brought along some
of their favorite records to play on the air. As you might expect, it was a most
unpredictable batch of tunes indeed.
The following is a playlist from Phil and Jerry's guest DJ shift, as broadcast on KMPX-FM
in San Francisco, sometime during the last week of April, 1967.
Disk 1 [69:23]
[Missing] SWAN SILVERTONES - (Song title unannounced)
01. [03:23] Talk
02. [05:38] CHARLES MINGUS - Wednesday Night Prayer Meeting
03. [03:59] Talk
04. [02:54] BLIND WILLIE JOHNSON - Lord I Can't Keep From Crying Sometimes
05. [01:05] Talk
06. [02:25] RAY CHARLES - I Don't Need No Doctor
07. [01:06] Talk
08. [02:43] JAMES BROWN - It's A Man's Man's Man's World
09. [00:22] Talk
10. [03:25] JAMES BROWN - Ain't That A Groove
11. [01:39] Talk
12. [03:51] BOB DYLAN - Maggie's Farm
13. [03:20] Talk
14. [01:30] ENSEMBLE OF THE BULGARIAN REPUBLIC - The Moon Shines
15. [00:51] Talk
16. [11:25] CHARLES LLOYD QUARTET -Dream Weaver
17. [00:08] Talk
18. [00:30] Station Ads - Avalon Ballroom
19. [00:42] Talk
20. [04:03] JUNIOR WELLS - Ships On The Ocean
21. [00:59] Talk
22. [11:37] LEOPOLD STOKOWSKI/AMERICAN SYMPHONY ORCH. - Charles Ives: Symphony # 4 (2nd
Movement)
23. [01:37] Talk
Disk 2 [37:24]
01. [02:51] IAN & SYLVIA - Jealous Lover
02. [00:04] Talk
03. [02:35] IAN & SYLVIA Four Rode By
04. [00:47] Talk
05. [03:18] SKIP JAMES - Hard Time Killin' Floor Blues
06. [02:36] ARETHA FRANKLIN - I Never Loved A Man (The Way I Love You)
07. [01:29] Talk
08. [03:39] RIGHTEOUS BROTHERS - You've Lost That Lovin' Feelin'
09. [01:24] Talk
10. [03:33] IKE & TINA TURNER - River Deep, Mountain High
11. [00:56] Talk
12. [02:16] LOU RAWLS - Trouble Down Here Below
13. [00:09] Talk
14. [02:06] ROLLING STONES - Gotta Get Away
15. [01:16] Talk
16. [02:26] OTIS REDDING - Day Tripper
17. [00:15] Talk
18. [02:25] GRATEFUL DEAD - Cold Rain And Snow
19. [00:39] Talk
20. [02:32] GRATEFUL DEAD - New, New Minglewood Blues
Notes:
1. shntool confirms tracks on sector boundaries
2. Cool Edit used to remove gaps from tracks not cut on sector bundaries, fix some pops
related to the digital transfers
3. Flaws
d1t02 00:35 brief diginoise
d1t02 03:19 brief diginoise
d1t13 02:56 brief diginoise
Part of The Music Never Stopped Project 2002 shn em up initiative 4/28/2002
Thanks to Raoul Duke for the disks!
BAND Grateful Dead
VENUE Fillmore Auditorium
CITY San Francisco
STATE CA
DATE 05/05/67
SET1 He Was A Friend Of Mine# ; #Stage Banter ; Golden Road To Unlimited
Devotion > New Potato Caboose ; Alligator
SET2
SET3
ENCORE
COMMENTS He Was A Friend cuts off. Song order is speculation by Teddy GoodBear,
based on the late 70's tape and cuts.
Jeff Tiedrich:
No way this is 9/29/67, which is where Deadbase moved this list for Vol 9. Their
contention is that this is the famous Mickey's first show falls apart when you
hear the entire tape. Alligator comes to a definite conclusion and is no way
part of the infamous two-hour Alligator/Caution.
David Sorochty:
The info in Deadbase about 5/5/67 really being 9/29/67 is not so of course. The
song order I have is:
Dancin'
Golden Road >
New Potato
Alligatior
He Was A Friend Of Mine
Alligator starts and comes to a complete finish, so all the talk of a two hour
long Alligator (for the show on this tape at least) is not possible. The info
listed in Deadbase saying Alligator---> Caution is obviously wrong then too.
Teddy GoodBear:
On my older tape that I got in the late 70's -
He Was A Friend Of Mine# [4:24]
#Stage Banter [:50] Jerry: "...We're stalling...corn plaster on his bass drum"
>
Golden Road [1:58] Bob: "This one is for Laughlin" >
Caboose# [6:48]
On my newer tape that I got in the 80's -
#Stage Banter [2:08] Jerry: "...We're stalling...corn plaster on his bass drum"
>
Golden Road [2:11] Bob: "This one is for Laughlin" >
Caboose [9:14]
Alligator [11:00]
He Was A Friend Of Mine# [5:06]
What's DeadBase's logic? Does anybody hear Mickey on the tape? I don't. So if
there is no Mickey then the tape has to be before 9/29/67 or whenever Mickey was
out of the band during the early 70's. I'll go along with labeling it,
"circulates as 5/5/67, but date is uncertain".
As I said, I got my older copy around the late 70's from a NY trader who had a
lot of "Fillmore" tapes in his collection. He told me the date & said it was
from the Fillmore. Assuming we believe it's from the Fillmore, that narrows down
the date quite a bit.
And if you look at these songs, they fit in with the other "timeframe wise"
dates these songs were being played. If I came into this cold without any dates
attached to this tape, I would say based upon other setlists that this was
3/19/67, 4/12/67 or 5/5+6/67.
Christian Crumlish, his unedited review some of which was published in "The
DeadHead's Taping Compendium vol. #1":
05/05/67, Fillmore Auditorium, San Francisco, California
[stage banter], The Golden Road > New Potato Caboose, Alligator, He Was a Friend
of Mine//
The tape itself came to me mislabeled as a "Fillmore West Acid Test 02/06/67."
Not only was there no Acid Test on that date, but there was no Fillmore West in
1967 either. It probably got called an acid test along the way because of the
trippy stage banter, labeled on my original as "The Effects of Vitamin A." My
first copy of this was an audience tape but a soundboard is now available. Some
tapes have the He Was a Friend of Mine first (before the chatter), but the
soundboard shows that it clearly comes after Alligator.
Here's a transcript of what's said on stage before The Golden Road:
--tuning sound--
?:
Wheeeeeew
Bob and others:
aaaaghh, urrrghhh, etc.
Jerry:
We're stalling. We're stalling while our uh drum-- I'll tell you tell you
exactly what's going on up here so nobody has to wonder anymore.
Bob?:
Lay it on me. ["on" pronounced "own"]
Jerry:
What's going on is our drummer is putting a uh corn plaster on his bass drum.
Phil?:
He is lifting his left thumb....
Jerry:
That's what's happening.
--bass drumming and cheers, organ notes--
Bob:
OK now this is a drop-out song and as far as you all are drop-outting, dance
dance dance....
?:
waauugh!
?:
Did somebody say "waaaugh!"?
?:
waaaaeghh
Bob:
Everybody say "waaaa!"
?:
Waaaagh!
Bob:
Thank you--
Jerry:
Gosh
Pigpen:
Let me hear everybody say "fuck!"
audience (weakly):
Fuck!
Jerry (languid):
Louuuder.
Bob:
Everybody say "dope"
audience:
dope!
Jerry:
awww
Bob:
Everybody say "primate"
??:
What?
Jerry:
Say what?
Bobby:
Oh yeah? ... Everybody say "What?"
audience:
What!
??? (goober voice):
Whut?
Jerry:
Hey that was good that was good.
Phil:
Everybody say "Ohhh noooo!"
audience:
No!
Pig (singing):
T'ain't nothing 'a me...
--golden road starts--
Here are some glimpses into the personalities of the members of the band:
Bobby tends to take things to an abstracted level, his cry of "primate" is not
taken up and leaves even the other band members puzzled. Phil's suggestion seems
to be based on the sound that people sometimes make when they're tripping too
hard. Pig's contribution is more earthy and natural.
The hippie attitude without the intellectual pretensions. Jerry, back when he
still spoke from the stage, is actually filling in the audience on what's going
on upstage, in a small way leveling the barrier between performer and fans.
The Golden Road is energetic and over quickly, segueing neatly into New Potato.
(Bobby says something like "This one if for Laughlin" before launching into the
first verse.
Highlights: The Golden Road, Bobby's inarticulate lysergic insight that we're
all primates.
Grateful Dead
06/18/67
Monterey Pop Festival, Fairgrounds
Monterey, CA
1. Cold Rain And Snow
2. Viola Lee Blues
3. Alligator >
4. Caution (Do Not Stop on Tracks)
Source: SBD:MR>Cass>DAT>ZA2>CD
Alligator -> Caution has no cassette gen.
Comments: (from Dead List Reader)
Alligator > Caution may not be from Monterey.
What makes me suspicious is that at the conclusion of
Caution, Bill Graham is heard to say something like
"let's hear it for the Grateful Dead." Bill Graham
was not the emcee at the Monetery Pop Festival, so
it's doubtful he would introduce the BAND from the
stage. However, some folks have speculated that since
Graham was in attendance and a friend of the Dead,
he might have done the intro and or the outro as a
"guest emcee." The Alligator is a curiosity; it's a
very primordial version without vocals. Some parts
are missing. Pigpen plays harmonica over the "verse"
parts of the song. If indeed this date is accurate
and Alligator was not yet fully fleshed-out as of
mid-June '67, the certainly the true date of "5/5/67"
falls somewhere later in the year.
Contributors:
Jeff Tiedrich <jeff@tiedrich.com>.
Thanx and a Tip o' the Hat to David Hollister
Posted to alt.binaries.gdead.highspeed April, 2000
Grateful Dead
08/04/67
O'Keefe Center
Toronto
CN
Source: SBD>MR>R>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit(remove pops) > CDWav (retrack) >
mkwact(seekable) mvernon54@nospam.com
Set 1 [26:23]
[Missing] Lindy
01. [06:37] New Potato Caboose
02. [19:46] Viola Lee Blues > Feedback
Notes:
1. shntool confirms tracks cut on sector boundaries
2. From www.deadlists.com
Bill Graham presents "The San Francisco Scene in Toronto". Other
artist(s): Jefferson Airplane ; Luke And The Apostles.
One looking at the concert poster (which can be see at the following):
< http://www.geocities.com/SunsetStrip/Palms/2635/jcards/ja_4.jpg > can determine:
There were shows from 31st July to 5th August according to the poster, ("evenings at
8.30, matinees on Wednesday and Saturday") which would mean a total of 8 shows [Mon.
7/31, Tues. 8/1, Weds. 8/2 matinee, 8/2 evening, Thurs.
8/3, Fri. 8/4, Sat. 8/5 matinee, 8/5 evening].
David Sorochty:
"Before New Potato Caboose Jerry says "This is a song called New Potato Caboose,
don't you know". Viola Lee Blues goes into a short Feedback and cuts off right near
the very end, just as Jerry and then Pigpen start playing the
Merry-Go-Round Broke Down (Looney Tunes) melody. A silly kind of ending to an intense
song".
RECORDINGS 30 SB. Master reel > 1 reel generation > DAT > circulation. Most tapes
in circulation are missing the fragmentary (cuts in and has two splices in it) Lindy.
3. Commonly circulates with 8/5/67. I've created separate md5 and info text files for
each.
Part of The Music Never Stopped Project 2002 shn em up initiative 4/28/2002
Thanks to Raoul Duke for the disks!
Grateful Dead
08/05b/67
O'Keefe Center
Toronto
CN
Source: SBD>MR>R>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit(remove pops) > CDWav (retrack) >
mkwact(seekable) mvernon54@nospam.com
Set 1 [18:35]
01. [07:22] //Turn On Your Lovelight
02. [11:13] Alligator
Notes:
1. shntool confirms tracks cut on sector boundaries
2. From www.deadlists.com
COMMENTS Evening show. Bill Graham presents "The San Francisco Scene in
Toronto". Other artist(s): Jefferson Airplane ; Luke And The Apostles.
One looking at the concert poster (which can be see at the following):
<http://www.geocities.com/SunsetStrip/Palms/2635/jcards/ja_4.jpg > can determine:
There were shows from 31st July to 5th August according to the poster, ("evenings at
8.30, matinees on Wednesday and Saturday") which would mean a total of 8 shows [Mon.
7/31, Tues. 8/1, Weds. 8/2 matinee, 8/2 evening, Thurs. 8/3, Fri. 8/4, Sat. 8/5 matinee,
8/5 evening].
Before Alligator Bobby says "We only have time for one more unfortunately and we're
gonna do a song we laughingly refer to as 'Alligator'. Ha, Ha!"
David Sorochty:
"Alligator ends with one of the most dramatic endings ever for this song. It finishes
with Jerry's guitar cranking and screeching eeeeoowww!! It has a reverb type echo to it
that adds to the cranking effect and its pretty stunning. You have to hear it to
appreciate it."
3. Commonly circulates with 8/4/67. I've created separate md5 and info text files for
each.
Part of The Music Never Stopped Project 2002 shn em up initiative 4/28/2002
Thanks to Raoul Duke for the disks!
Grateful Dead
3 September 1967
Dance Hall - Rio Nido, CA
1. Dancin' In The Streets :10:27
2. It Hurts Me Too :04:00
3. Cold Rain & Snow :03:13
4. Good Morning Little Schoolgirl \ :10:34
5. \ Viola Lee Blues \ :22:49
6. >Big Boss Man :04:15 introduced as "an old song"
7. Alligator :14:35 no "Caution" yet, it simply
returns to the shouted
"Alligator" refrain & then ends
This tape is not a master, it's a 1st gen.
It takes several minutes for the mix to come together in the beginning
"Schoolgirl" is cut @ 10:43
"Viola Lee" is cut @ both ends
The sound quality deteriorates towards the end of the "Alligator' jam
Uploaded by Jon Miller; originally from a BUDD SHN vine.
Grateful Dead
09/15/67
Hollywood Bowl
Hollywood
CA
AUD>MC>R>R>NR>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit(remove isolated pops) >
mkwact(seekable) mvernon54@nospam.com
Part of The Music Never Stopped Project 2002 shn em up initiative 4/29/2002
Thanks to Raoul Duke for the disks!
Disk 1 [67:15]
SET1
01. [15:22] Viola Lee Blues ;
02. [03:38] Cold Rain And Snow ;
03. [02:35] Beat It On Down The Line ;
04. [10:45] Good Morning Little School Girl ;
05. [06:00] Morning Dew ;
06. [11:06] Alligator >
07. [15:31] Caution (Do Not Stop on Tracks) >
08. [01:19] Feedback
09. [00:55] "Vaudeville Chorus"
Notes:
1. shntool confirms tracks on sector boundaries
2. blemishes typical of aud recording of this age not noted
d1t01 11:05 brief drop out
d1t01 13:50-13:51 tape speed change briefly
d1t02 tape speed changes briefly in a few places
d1t06 07:08 drop out
From deadlists.com
COMMENTS Bill Graham presents: "The San Francisco Scene In Los Angeles". Other
artist(s): Jefferson Airplane, Donovan? and Big Brother & The Holding Co.
Jefferson Airplane set circulates in very similar quality; (perhaps it is the same taper
who made both masters).
A floor plan of the Hollywood Bowl is available at this site:
http://www.laonstage.com/directory/bowlchart.html
To see the concert art:
< http://www.pompano.net/~goodbear/concert_art/09_15_67.html >
Grateful Dead
10/22/67
Marijuana Defense Benefit
Winterland Arena
San Francisco, CA
Source: SBDmR>Cass>DAT>Sonic Solutions via D. Gans>CDR
Disc 1 - Complete Show
1. Morning Dew
2. New Potato Caboose
3. It Hurts Me, Too
4. Cold, Rain, & Snow
5. Lovelight//
6. Beat it on Down the Line
7. Cryptical Envelopment >
8. The Other One >
9. Cryptical Envelopment
Comments: Since the show was seeded by Gans I can only
assume that this is all there is of the show from the
vault. If anyone has info on an AUD of this show that
can fill out the end of Lovelight please email me.
SHN Encode and Upload: Ben Yerys <byerys@nova.psy.du.edu>
11.10.67
Shrine Auditorium
MR>R>DAT>CDEAC
by Chalupa
Disk 1:
1. Viola Lee // Blues 15:26 2. It Hurts Me Too 4:31 3. Morning Dew 6:36 4. Hoot! Jeer!
0:49 5. Schoolgirl 10:40 6. Cryptical > 1:25 7. The Other One > 3:48 8. Cryptical
6:07
9. Neal Cassady "Rap Jam" 8:14 (7/23/67, Straight Theater)
Total time: 57:39 Note: Splice in Viola Lee is minor.
Disc 2: (11/10/67, cont.)
1. Alligator > 3:19 2. Drums > 0:36 3. Alligator > 7:12 4. Cau // tion > 22:15
5. Feedback 2:04
Total time: 35:28
11.11.67 -- Shrine Auditorium, Los Angeles, CA
MSR>R>DAT>CDR
1. Lovelight 11:43
2. Death Don't 7:41
3. Schoolgirl 12:11
4. Cryptical > 1:24
5. The Other One > 2:34
6. Cryptical 10:45
7. New Potato Caboose 10:59
Total time: 57:31
EAC by Chalupa.
Grateful Dead
American Studios
North Hollywood, CA
11/14/67
Source: MSR>C(1)>DAT>WAV>SHN
Disc 1
Set 1:
01 Born Cross-Eyed>Feedback
02 Dark Star
DeadLists notes:
Comments Jerry's Kids source
The circulating versions of these songs are different from the
versions on the single and on "What a Long Strange trip It's Been" (which are
the same) and therefore are listed separately. These versions are often found as filler on
tapes of the 11/10,11/67 Shrine shows. There is a pause between the end of Born Cross-Eyed
and the Feedback. Towards the end of Dark Star Pigpen(?) says "It drags. It drags
right there". There is no banjo at the end either, but there is an acoustic guitar
heard towards the beginning.
![jockomo[1].gif (10412 bytes)](images/jockomo1.gif)
